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  mpdrolet:

  Half-grown farm boy on main drugstore corner in town, Medford. Oregon, August, 1939

  Dorothea Lange
  

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  class-struggle-anarchism:

  from David Harvey’s The Condition of Postmodernity p. 43

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  topcat77:

  Henrik Eiben   b.1975, Hamburg-based artist
  

  Tiderays 2, 2015

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  thenletitbe:

  (via PINNED | Her New Tribe | Hernewtribe.com)

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  the60sbazaar:

  Cher by Richard Avedon

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  vjeranski:

  Allan Kaprow
  

  Comfort Zones
  

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  icancauseaconstellation:

  Stromboli, Rossellini (1950)

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  visva:

  Richard Aldrich
  

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  bagnipaloma:

  LOVE causes LOVE @bagni_paloma #bagnipalomastyle #bagnipaloma #today #torino #shopping #instacool #instaphoto #instapic #instamood #cool #instamood #todaymood #today #photooftheday #picoftheday #multilabelstore #goodmorning #love #cute (presso Bagni Paloma)

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  huariqueje:

  Saitsuki sea" No. 10   -   Yuji Tezuka
  

  Japanese  b.1953-

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  loverofbeauty:

  Louise Bourgeois:  Ode a l’oubli

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  madisonkillough:

  barbara hepworth · single form

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  unrar:

  Cuba, 1993, Rene Burri.

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  blueberrymodern:

  Carla Fernández Spring/Summer 2012
  

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  justanothermasterpiece:

  Ellsworth Kelly.

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  justanothermasterpiece:

  Jane Cornwell. 

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  webbys:

  How To Knoll, from Tom Sachs.

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  vintagesudan:

  JABAL MARRA, SUDAN

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  linascheyniusdiary:

  Me in Sweden Summer 2014

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  weissesrauschen:

  Robert Irwin

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  nearerthemoon:

  Selk’nam, from Argentina.

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  thisismondaylove:

  Sasa Stucin
  

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  justanothermasterpiece:

  Sam Francis. 

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  linascheyniusdiary:

  Alba in London Spring 2014

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  merzbow-derek:

  POST-SCRIPTUM 450

  From 1975 to 1979, London improvisors published the most innovative artists and musicians of their generation in the magazine Musics. Derek Bailey, Evan Parker, John Zorn, David Toop, John Russell, The Feminist Improvising Group, Bob Cobbing, ICP, Val Wilmer, Annabel Nicholson, Han Bennick, Eddie Prevost, David Cunningham, Steve Beresford among many others were contributors.
  

  …a blueprint for the interlinked activities we now call sound art, field recording, improv, live electronics & audio culture. it came out six times a year and ran for twenty-three gorgeous issues. the journal covered improvised and non-western music alongside performance art, reflecting the broad interests of the so-called “second generation” of London’s improvisers, and provided a convivial focus point. overlapping with London musicians’ collective (LMC), the publication first launched in Spring of 1975, with the tagline: an impromental experivisation arts magazine and a manifesto that proposed the destruction of artificial boundaries, and linked Free Jazz, the works of John Cage, and indigenous and non-European music….

  ( Derek Bailey, by there )

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  justanothermasterpiece:

  Edward Corbett.