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  lintonweeks:

  Eamonn Doyle, “END.Twins”

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  studio-diogo:

  Robert Mangold · Imperfect Circle #2, Colour Screenprint, 10 x 10 in., 1973

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  199714424:

  Divine Emanuelle: Love Cult (Christian Anders, 1981)

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  vauxvintage:

  jessica stockholder
  

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  hn-yjournal:

  via @tara_dale_ IMAGERY| & absolutely obsessing over @lovewant No. 10 issue | Sculpture by Stephen Ormandy @olsenormandy
  
  

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  postpatternism:

  Matthieu Mategot

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  amandajas:

  morning detail

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  artspotting:

  Gego (Gertrud Goldschmidt)

  Untitled (73/16) 1973 via Moma
  

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  antoniogonzalezart:

  Jack Bush
  

  Tight Sash, July 1963 oil on canvas, 108.6 × 176.5 cm (42.75 × 69.5 in.)

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  contemporary-art-blog:

  Richard Serra, Walking is Measuring, 1999-2000

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  lanemarinho:

  pantanal . mato grosso . brasil .

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  house-under-a-rock:

  Catherine Destivelle in the 80’s

  I was just happy to climb, and to continue to progress.  If one of my friends, male or female, could do a route, I figured that I could do it.

  source: Behind the Cover-girl Image by Beth Wald | photo: Gerard Kosicki

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  tumasia:

  Catherine Destivelle / Moses Tower

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  vivipiuomeno1:

  Adrian Piper ph. - Food for the Spirit #2. 1971. The Museum of Modern Art, New York. The Family of Man Fund.

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  nispuk:

  frank o’hara

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  mpdrolet:

  Half-grown farm boy on main drugstore corner in town, Medford. Oregon, August, 1939

  Dorothea Lange
  

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  class-struggle-anarchism:

  from David Harvey’s The Condition of Postmodernity p. 43

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  topcat77:

  Henrik Eiben   b.1975, Hamburg-based artist
  

  Tiderays 2, 2015

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  thenletitbe:

  (via PINNED | Her New Tribe | Hernewtribe.com)

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  the60sbazaar:

  Cher by Richard Avedon