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  nearlya:

  Cy Twombly
  

  Untitled, 1955, pencil on paper

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  seaofempties:

  LA River

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  peepuddle:

  *tattoos this on m forehead*

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  joga:

  Inoue Tsuguya / Lilo Hess, Enzo Cucchi-Spring 1989
  

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  blupoop:

  festeszet:

  Georgia O’Keeffe

  Untitled (Abstraction Red Wave with Circle), 1979

  georgia dont even try 2 fukin tell me this is a damn ‘abstraction red wave with circle’ this is a goddamn tiddy u know it i know it everybody does just call it a fukin tiddy jfc

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  paintedout:

  Chung Chang-Sup, ‘Return 77-O’, 1977, mixed media on paper, 197 x 110 cm
  

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  venvenvenadito:

  Lina Bo Bardi 

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  mikasavela:

  Lina Bo (Bardi)’s Italian business card from 1940s, prior to her move to Brazil.

  From Domus magazine’s article on the 2014 “Lina Bo Bardi in Italy” exhibition at MAXXI in Rome.

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  colin-vian:

    Miguel Barcelo (1957)

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  visva:

  Sara AE Schumacher

  http://saesdesign.com/

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  aubreylstallard:

  Milton Avery, Shapes of Spring, 1952
  

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  aubreylstallard:

  Friedel Dzubas, Virgin Dream, 1976
  

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  blueberrymodern:

  Lucie Rie from the book edited by Issey Miyake

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  youtreau:

  Pawel Fabjanski

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  todrawistobehuman:

  Mel Bochner

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  lxst-nxght:

  The Gentlewoman Spring / Summer 2016 

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  fabriciomora:

  THE RAMPART WAVE (Lyon, France) - BASE Landscape Architecture

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  lindahemmersbach:

  Oil on paper, 2016

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  twistedhyna:

  from a book i found in the library titled: Chicana and Chicano Art

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  drawingdiary:

  VIA

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  martinianolopezcrozet:

  High Gloves in Merida, Yucatan.

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  nextecuiltentetl:

  Omo Valley, Ethiopia.
  
  © Hans Silvester
  

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  fotojournalismus:

  A farmer harvests mustard from his field on the outskirts of Lahore, Pakistan on February 8, 2016. (Mohsin Raza/Reuters)