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  communicants:

  My Brother’s Wedding (Charles Burnett, 1983)
  

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  gameraboy:

  It Was a Short Summer, Charlie Brown

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  hollymurdoch:

  💃🏻

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  vauxvintage:

  Peter Lindbergh for Vogue Italia
  

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  tomakeyounervous:

  Genesis P. Orridge and Sleazy ph. Peter Christopherson (from Peter Christopherson photography book)
  

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  thedakini:

  Anthony Gerace
  
  

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  dailyrothko:

  Mark Rothko, No 12, 1949, oil on canvas, 171-61-x-108-11

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  justanothermasterpiece:

  Jane Cornwell. 

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  justanothermasterpiece:

  Ellsworth Kelly. 

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  justanothermasterpiece:

  Ellsworth Kelly.

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  estudioartefacto:

  Gareth Pugh FW 2014
  

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  exhaustedscreen:

  Sample cards from Brian Eno and Peter Schmidt’s ‘Oblique Strategies’, first published in 1975.
  

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  lafilleblanc:

  Monday’s feeling:)

  Dennis Oppenheim/Parallel Stress, 1970/via

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  emmagleason:

  Richard Avedon, 1947

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  mashatupitsyn:

  Marriage as boats moving in opposite directions (Voyage to Italy, 1954).

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  vjeranski:

  Maanantai Collective

  FURTHER I WILL NOT VENTURE ALONE, 2013
  PIGMENT PRINT, FRAMED
  24 X 31 CM
  

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  cinoh:

  1. Image from page 159 of “The Adolfo Stahl lectures in astronomy, delivered in San Francisco, California, in 1916-17 and 1917-18, under the auspices of the Astronomical Society of the Pacific” (1919) by Internet Archive Book Images

  2. Europe, Iceland, Eskifjordur- webcam :: lichtschimmer

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  mashatupitsyn:

  This line from Frances Ha by Frances is interesting. Superficially it is in reference to Lev, a male character that Frances lives with in the movie, who comes and goes “easily,” sleeps with a new woman every night, leaves the house quickly, jumps from place to place, person to person, without a care in the world. While Frances stalls constantly, struggling to come and go, attached to everything. On a deeper level it is a statement about the way men are able to walk out on/of things while women tend to feel tethered and bound.

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  lanemarinho:

  paris . mai 2016 .

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  topcat77:

  Helen Frankenthaler
  

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  retroavangarda:

  Sigmar Polke 
  Mondlandschaft mit Schilf, (1969)
  dispersion on two different types of fabric 150 x 125 cm

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  thinkingimages:

  Rebecca Horn, still from Performances II, 1973