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  thinkingimages:

  Rebecca Horn, still from Performances II, 1973

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  multcolib:

  Another letter in our exhibition, “Sentiment Saved: Letters, Postcards and Other Correspondence from the John Wilson Special Collections,” this from our Literary Arts archives, written by author Don DeLillo in 1989 who made his point quickly and easily….
  

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  criterioncollection:

  Ready for the weekend!

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  milo–vs:

  St. Moritz Church 

  by John Pawson

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  anthropologie:

  Via Pretty Plum Sugar

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  cinoh:

  Untitled (The Wedges) — Louise Bourgeois, 1950
  Wood, painted, and stainless steel
  160 x 34.3 x 30.5 cm / 63 x 13 ½ x 12 in
  
  Collection The Easton Foundation © The Easton Foundation / Licensed by VAGA, New York, NY Photo: Christopher Burke
  

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  abstrakton:

  Carol Bove, Carlo Scarpa at Museum Dhondt-Dhaenens
  

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  awaykeeping:

  Joan Snyder describes what feminist art means to her. This article is a result of a project, organized by Lucy Lippard, Arlene Raven and Ruth Iskin, asking artists to respond to the question. All responses were exhibited at the Woman’s Building in Los Angeles in Feb. 1977. #joansnyder by fabiola.alondra http://ift.tt/22mRIBd

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  giacohh:

  “La Femme Publique” , 1984

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  mglfm:

  So Is This (1982) by Michael Snow

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  strapazzolli:

  Camille Henrot new frescoes for Fondazione Memmo, 2016.

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  vjeranski:

  Wolfgang Tillmans
  dancer, OperaHouse, 1989
  Chromogenic print
  16 × 12 in
  40.6 × 30.5 cm

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  exercicedestyle:

  Oyster Mushrooms

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  llacollection:

  ISAMU NOGUCHI in California

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  beauwie:

  River of Grass, 1994

  dir. Kelly Reichardt

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  is2daytuesday:

  Sandra Davolio Ceramics

  http://www.sandradavolio.dk/index.htm
  

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  seducings:

  me in my next life